Sijan creates ultra-realistic, life-sized human figures made of polyester resin and
finished with artist oil paint, among other materials. Carrying on the
tradition of one of the world's oldest art forms with a distinctly modern
approach, Sijan's work brings realism to its highest level. Rather than
celebrating the ideal human form, his work is a tribute to real people. These
sculptures are the ordinary folks we might pass every day on the street.
Sijan is the recipient of awards in more than 200 juried exhibitions, with work
in major museums, including The Philadelphia Museum of Art, The San Francisco
Museum of the Arts, The Byer Museum of Chicago, and the Carnegie Institute
Museum of Art. The Canton Museum of Art in Ohio hosted a one-man showing of his
work in November 1992.
Spending as long as six months on one piece, Sijan looks for individual
variations to make his work realistic - goosebumps, a sunburn, skin
imperfections, birthmarks, age spots, tiny veins, hairs, and even bald spots.
His method is distinctive and exacting. First, he works from live models, to
produce a negative mold in plaster, and sculpts the interior with special tools
and a magnifying glass to assure accurate detail. Then, he casts the figures in
polyester resin. To achieve realistic flesh tones, he applies twenty-five coats
of paint - mostly by hand - and adds varnish.
Sijan's work literally makes people stop twice and check to see if the figure is
a work of art or a real person. Gallery owner Bruce Lewin says, "When I first
arranged the figures in my gallery, a crowd gathered outside trying to figure
out what was going on, and when people come inside and look, they swear they saw
one of them move."
PROFILE OF MARC SIJAN
Marc Sijan received his bachelor's degree in art education from the University
of Wisconsin in 1968, then went on to an intense study of anatomy, completing a
Master of Science in Art degree three years later. He began to sculpt the human
figure, winning recognition throughout the country for his incredibly lifelike
creations.
Inspired by Michelangelo's "David", and intrigued by the instinctive and
sensitive way Michelangelo treated the human form, Sijan took this attention to
the details of anatomy to a new level - creating figures which seem ready to
begin breathing at any moment.
Marc Sijan currently lives in Milwaukee and continues to sculpt figures for
exhibition around the country.
A FEW WORDS FROM THE ARTIST...
On capturing life in his work-
"I am seeking to freeze motion rather than suggest life. The sculpture appears
passive, but there is so much going on inside."
On creating realism-
"The goal is to achieve depth, yet translucency. It can't be flat. The chest
and throat texture is different from that of the arms, legs and stomach. Facial
skin differs from that on the torso."
On the human form-
"The human figure is one of the most challenging subjects to work with. I am
working to develop a believable figurative sculpture that works not only on a
visual level, but on a deeper emotional level."
"It's interesting, this fascination - the human form is the oldest artistic
subject, it was the first subject known to man. We keep interpreting it, over
and over."
On protecting his work-
"I got the idea of sculpting my dad as a security guard because the sculptures
usually attract a large crowd and people get excited and want to touch them.
Having the security guard standing by tends to discourage this."
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