OCULAR POSSESSION
"The stereoscope as a means of representation was inherently
obscene in the most literal sense.
...The very functioning of the stereoscope depended...on the absence of
any mediation between the eye and image.
It is no coincidence that the stereoscope became increasingly synonymous
with erotic and pornographic imagery in the course of the 19th century.
Some have speculated that the very close association of the stereoscope
with pornography was in part responsible for its social demise as a mode
of visual consumption."
[Jonathan Crary, "Techniques of the Observer", p. 127 MIT Press
1992. . ]