March 9, 2004. Returning home?
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I’ve been sleeping in my own house the past few days. In my own bedroom, no less.
Have I said much about the house? I own a small brick house in Arlington, Virginia, where I lived from 1994 when I bought it, until 2002 when I moved to New Jersey. Now Susanna and Erzebet live there – the Hungarian contingent, English is no longer the first language in my house. I’ve stayed with them in the past, and I’m storing much of my stuff in the basement. Since I came back from Africa, Matilda and I have been living in the driveway, plugged into the garage, with trips inside for the bathroom, the kitchen, the shower, and of course company. You can see her in the photo, off at the back of the driveway. We had a warm spell this weekend, and I took my electric radiator down to the basement. I refuse to acknowledge that it isn’t spring yet, so when the temperature dropped back down to the thirties, I finally accepted Erzebet’s offer to stay in her room while she’s visiting her family in Hungary. |
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But there the similarity ends. When I was there the shades were always open, and from April to October the windows were open as well. The head of the bed was under the window, and there was hardly any furniture – just a few dressers and the ironing board. A Chinese scroll hung on the bathroom door, but nothing else graced the wall. It was a big open space made for sitting on the floor, spreading out quilts, and doing aerobics or yoga. Under Erzebet’s rule it’s orange and red and yellow and cluttered with paintings and artworks and tables with trinkets and make-up boxes and jewelry boxes and clothes. A sign hanging on the wall says “Bourbon Street,” and the imagery of the French Quarter fits perfectly with the riot of color and motion in the room. The bathroom walls are covered with posters and prints. A spoof of a romantic movie poster, featuring Corny Love, Ewan Trouble, and guest Lista Flackheart. A photo of a pug and a cat embracing, with a message about choosing passion over safety. A print in what I think of as “Caribbean tourism style,” a painting of a man and a woman in shades of red and yellow and green with a blue sea behind, he in a huge straw sunhat, she carrying a painting of him in his sunhat. |
I love it. It’s even, smoothly laid-out chaos. No one piece stands out above the other, but everywhere you look are endless details of color and texture to examine in more and more detail.
Sleeping there for a few days, because I don’t want to deal with the cold in my van, I’m half an intruder and half returning home. But mostly I am a guest. I shouldn’t be returning to what was once my home because that would only be an illusion. And I miss my van, even though I am enjoying the convenience of sleeping inside for a few days when it’s 35 degrees outside.
In a week I’ll move on. The final revisions to the book went to the publisher on Sunday. I’m in the home stretch!
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