About John Kilgore

John Kilgore is a sound designer, recording engineer and composer. Recent sound designs for theater include Another Part of the House, Psychopathia Sexualis, The Red Address, Boys in the Band, Entertaining Mr. Sloane, The Rose Tattoo, Love! Valour! Compassion! as well as numerous designs for the Manhattan Theatre Club, Classic Stage Company, Soho Rep, the Public Theater and the La Jolla Playhouse, among many others. His sound design for the Los Angeles production of Love! Valour! Compassion! was nominated for an Ovation Award.

Recent recording credits include every work by Steve Reich since The Cave, including City Life, Proverb, Nagoya Marimbas as well as new recordings of Music for 18 Musicians, New York Counterpoint, Four Organs and Eight Lines. He has recorded Dexter Gordon, James Moody, Woody Shaw, Gil Evans' Orchestra, Big Mama Thornton, The Brooklyn Philharmonic, DNA, Julius Baker, Richard Goode, Richard Stolzman, The Empire Brass Quintet, the American Brass Quintet and Ervin Nyiregyhazi to name just a few.

He was resident composer for Pooh Kaye's Eccentric Motions Dance Company from 1983 to 1994, and provided scores for many pieces, as well as Ms. Kaye's films Sticks on the Move, House of Floating Paper, Swept Up, Wake Up Call and The Painted Princess. More recently, he was composer, behind-the-scenes performer and musical director for Len Jenkin's Dream Express.

John has served as Manager and Chief Engineer of the Recording Division of Masque Sound & Recording since 1986. The Recording Division's studio is a production facility specializing in sound effects, voice-overs and music editing for theater, film dance and multimedia. For more information about the studio, visit the Masque Sound Studio Page.


An excruciatingly detailed account of John Kilgore's checkered past.
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