tricia
mclaughlin
patri@rcn.com
ANIMATION
click on images to see videos
| VILLA SAVOYE (machine for living in) |
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Based on the use of self-replicating materials used in Nanoarchitecture Le Corbusier’s Villa Savoye’s own shadow tramples on the building, pushing out pink innards. These breathing blobs also stick to the shadow “monster”, adding to the changing form of the structure. In this animation the “machine for living in” is now a living machine. 2:00 min., 2007
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| BORDER DISPUTE HOTEL |
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Two grass monsters fight over the placement of the river border. Their fight is solidified into a hotel. Don't forget your passport. The fighting keeps moving the rooms to different sides of the border. Stop motion animation. 5:00 min., 2007 |
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THE NAZCA LINES EXPLAINED
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| Up until the making of this animation the phenomenon of the Nazca Lines in Peru could never be explained. How did these huge drawings in the earth get there, especially since they were created well before the invention of aviation? Perhaps some enormous creatures had a better vantage point for playing their games. As the title suggests, the mystery is finally revealed. 2:00 min., 2005 |
| HOME ROLLED |
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HOME ROLLED is a cylinder with a kitchen, bed and bath rolls to flatten water and make roads, 2:00 min., 2006
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| PRECISION DIVING WHEEL |
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This Ferris wheel of small pools of water and a high diving board demands incredibly precise diving skills. 2:00 min., 2005
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| MUSICAL
TOILET/SINK COMBOS |
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This
single unit combines the toilet with the sink. Waste and wash
are neatly accessible in one place. Since two people could utilize
the combo at the same time it could also serve well for a communal
bathroom, should anyone ever want that. In this animation the
units are set up like musical chairs. When the music stops the
person must also stop and utilize whatever they find by their
side. 3:00 min., 2001.
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| BUNGEE
BLAST |
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An
amusement park ride is redesigned with Bungee cords and superimposed
on to video footage from an actual amusement park. The new 3D
design alters a familiar situation and as the ride smashes into
the edge of the screen makes for some fatal fun. 00:40 sec., 2001
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| BOATEL |
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Each
room in the Boatel has its own private entrance with a key dispenser
to give the visitor a key to a specific room. Like most motels,
every room is the same. These rooms are of a semi-circular or
half inner tube design that float and also create a continuous
loop. The bed of a single occupancy room is really part of a double
occupancy room; the bathroom is shared; the toilet of one room
is next to the bathtub of the next room. Each individual room
is actually connected to the rest of the Boatel by shared necessities.
The animation takes the viewer inside this space.
3:00 min., 2000.
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| the
U ROW HOUSE |
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THE
U ROW HOUSE is a 3D animation based on the design of housing units
that have no floor. Instead the occupant has to swim 500 feet
from their bed to their kitchen and another 500 feet to the toilet.
The units fit together to cross bodies of water and join land
masses. The animation of the U Row House puts the viewer inside
the space to get a sense of the life in this ridiculous kind of
existence. 2:30 min., 2000.
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| HOMESTEADING
(dérive style) |
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Hefty
Man and Slender Woman (3-D animation characters taken from the
InfiniD software package) are friends. Slender Woman is a civil
engineer and Hefty Man is an architect. This is their chance to
create their own environment working with a pristine, uninhabited
one on video footage of noodles, broccoli, salad and the base
of a man’s penis (phallic architecture gone soft). 3:42 min,
2000.
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| LIVE
WELL, EAT BETTER |
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Strings
of ground meat begin to construct their own architecture. As the
meat cooks characters come jumping out, just before the hamburger
is eaten. 5:30 min., 2000.
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| BACK
and FORTH |
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Randomly
thrown rocks establish the terrain for social communities. Using
stop-frame animation the car creates the road that structures
the placement of the rubber stamp houses. The houses continue
to build up until they obliterate themselves into their own negative
image. 3:00 min., 1999.
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