This is me with drummer Marty
"Gumby"
Lick's homepage.
After 1992, Chicago had a bit of a dry spell as far as Al was concerned.
With the gaps between "Off the Deep End" and "Permanent Record"
(the 4-CD greatest-hits box set), there wasn't much reason to play here.
So when the band passed through nearby Wisconsin and downstate Illinois,
I made a couple short road trips. The Waukesha show was great because I
finally had a bit of time to hang around with Jon. Not so much before the
show, but after, when the band was granted an unexpected day off in Chicago.
"Bermuda" and I spent Saturday hunting through Chicago's vast
array of used record stores (I scored some insanely rare Billy Joel records
that day), shopping for Frango mints at Marshall Field's Old Orchard store,
a home-made spaghetti dinner (complete with salad and garlic bread), and
an evening of hitting the internet on my Amiga... this was shortly before
Bermuda himself returned to the online world in a big way with his "Bermuda
Files" homepage.

In 1995, another Wisconsin show coincided with my 27th birthday (and true
Al fans would understand the significance of that!) so I decided to hit
the road once again and see the "one-and-only stop of the fall, 1995
tour" at the University of Wisconsin, Green Bay. A good number of internet-linked
Al fans were there, and that weekend marked the first time I got to really
spend some time with Al himself.
This was Halloween weekend, and after the show, a group of five of us
went out to see what the night life was like in Green Bay. Perhaps the funniest
thing I saw all night was that many people didn't think Al was really Al.
Almost everyone else was in a costume of one kind or another, and - as many
people questioned out loud- why would Al be in Green Bay, anyway?
The night ended in Al's hotel room, with Al's keyboardist Rubén,
my friend Michele, and I talking music with the Weird One. Breaking out
the same accordion Al has played since he was seven, most of us tried our
hands at pounding out tunes, including a way-cool sing-along of "School
Cafeteria," which Al later told me he hadn't played in almost 20 years
(do the math!)
The people in the adjoining rooms eventually complained, and a bewildered
bellhop was sent to the room at around 4:30 am to ask us to stop playing
"loud accordion music."
For what it's worth, it's been great getting to know Jon and Al over
these past several years. The band itself is an amazing array of talent.
They've been together, as the same lineup, longer than most popular groups...
and they can also sound like just about anyone - whether doing a parody
or a style emulation. Like many so-called "novelty acts," like
Spike Jones and Frank Zappa, the band's talent is often overlooked
because of the kind of music they make... the true musicianship isn't
always given due credit. I urge people who take Al's records for granted
to pop on the headphones and listen again... closely.