Zottola Mouthpieces
The "66" Series
| MODEL |
CUP SIZE |
CUP DEPTH |
COMMENTS |
| 66A |
LARGE |
DEEP |
For players who prefer a classical sound with the full range of tone colors, dark to
bright. Recommended for strong embouchures or those not aspiring to extreme high register. |
| 66B |
LARGE |
MEDIUM |
Suitable for players who prefer a classical tone with more brilliance and greater ease
in the upper register. |
| 66C |
LARGE |
SHALLOW |
Produces a full-bodied tone that favors the upper register and produces brilliance
with less effort. |
| 66D |
LARGE |
SHALLOWER |
By decreasing cup depth slightly while maintaining a wide diameter, a radical boost in
range will be achieved without sacrificing volume. |
| 66E |
LARGE |
SHALLOWEST |
For players who specialize in extreme high register with brilliance. It can be used as
a "piece de resistance" for screech parts. |
The "64" Series
| MODEL |
CUP SIZE |
CUP DEPTH |
COMMENTS |
| 64A |
MEDIUM |
DEEP |
Produces a full, dark tone at low volume levels with a characteristic trumpet sound in
all registers. Strong embouchure needed. |
| 64B |
MEDIUM |
MEDIUM |
We have determined this model to be the center of sound; the perfect balance of cup
diameter and cup depth. This masterpiece is the choice of professionals all over the
world. |
| 64C |
MEDIUM |
SHALLOW |
Slightly more shallow than the 64B, it gives a boost to range, endurance and
projection. Especially recommended for lead in big bands or shows. |
| 64D |
MEDIUM |
SHALLOWER |
This model has been chosen by lead players for its focused, bright sound. Jazz artists
have also appreciated its flexibility from low to high register with increased endurance. |
| 64E |
MEDIUM |
SHALLOWEST |
This model is for extreme high register projection and it is similar to the 66E. It
can be very effectively used as an "ace up your sleeve" for that altissimo
passage that must soar over the band. |
The "62" Series
| MODEL |
CUP SIZE |
CUP DEPTH |
COMMENTS |
| 62A |
SMALL |
DEEP |
This model produces a large volume of sound while delivering a greater ease in the
upper register; more than the 66A and 66B. |
| 62B |
SMALL |
MEDIUM |
This is one of our most popular models. Like the 64B, professionals from the
classical, jazz and studio scene have chosen this masterpiece for its brilliant
full-bodied tone in all registers. |
| 62C |
SMALL |
SHALLOW |
This model will give a healthy boost to your range without noticeable loss of volume.
All of the 62 series are especially favored by players with thin lips. |
| 62D |
SMALL |
SHALLOWER |
This model provides a focused and bright sound that favors the upper register and
enhances endurance. Very good for lead. |
| 62E |
SMALL |
SHALLOWEST |
The ultimate in a screech mouthpiece. This is the special tool for those
extreme demands in contemporary music. If you want to be able to play in the altissimo
range with minimum effort, then the 62E mouthpiece is for you. |
Traditional Models
| MODEL |
CUP SIZE |
COMMENTS |
| 66FL |
LARGE |
Same rim as trumpet and cornet except cup, throat and back-bore are designed to
produce a beautiful traditional fluegelhorn sound. Professionals have raved about its warm
velvety tone and flexibility throughout the range. |
| 64FL |
MEDIUM |
Same rim as trumpet and cornet except cup, throat and back-bore are designed to
produce a beautiful traditional fluegelhorn sound. Professionals have raved about its warm
velvety tone and flexibility throughout the range. |
| 62FL |
SMALL |
Same rim as trumpet and cornet except cup, throat and back-bore are designed to
produce a beautiful traditional fluegelhorn sound. Professionals have raved about its warm
velvety tone and flexibility throughout the range. |
Jazz Models
| MODEL |
CUP SIZE |
COMMENTS |
| 66FL-J |
LARGE |
Same rim as trumpet and cornet. This model produces a true Fluegelhorn tone, but with
an enhanced brightness and ease in the high register. Some professionals prefer this in a
jazz, rock or studio situation. |
| 64FL-J |
MEDIUM |
Same rim as trumpet and cornet. This model produces a true Fluegelhorn tone, but with
an enhanced brightness and ease in the high register. Some professionals prefer this in a
jazz, rock or studio situation. |
| 62FL-J |
SMALL |
Same rim as trumpet and cornet. This model produces a true Fluegelhorn tone, but with
an enhanced brightness and ease in the high register. Some professionals prefer this in a
jazz, rock or studio situation. |
The "70" Series
| MODEL |
CUP SIZE |
CUP DEPTH |
COMMENTS |
| 70A |
LARGE |
DEEP |
This model produces a pure full-bodied orchestral tone. Recommended for players with
strong embouchures. |
| 70B |
LARGE |
MEDIUM |
This model combines the characteristics of the 70A with more brilliance and ease in
high register. |
| 70C |
LARGE |
SHALLOW |
Using this model many players experience an enhanced upper register without
sacrificing low notes or volume of sound |
The "68" Series
| MODEL |
CUP SIZE |
CUP DEPTH |
COMMENTS |
| 68A |
MEDIUM |
DEEP |
This model will provide a big, beautiful, round tone that will have a touch of
brilliance at louder levels. |
| 68B |
MEDIUM |
MEDIUM |
An excellent all-around mouthpiece. Big and brilliant in all registers. A masterpiece! |
| 68C |
MEDIUM |
SHALLOW |
For players with high register and strenuous demands. Also good for descant horn. |
The "66" Series
| MODEL |
CUP SIZE |
CUP DEPTH |
COMMENTS |
| 66A |
SMALL |
DEEP |
Recommended for players with medium to thin lips. Full range of tonal colors. |
| 66B |
SMALL |
MEDIUM |
Also for medium to thin lips. Excellent for orchestral playing and shows. Big sound
and very brilliant. |
| 66C |
SMALL |
SHALLOW |
For medium to thin lips. This model will produce an extreme high register with
brilliance and projection. Perfect for descant horn. |
The "73" Series
| MODEL |
CUP SIZE |
CUP DEPTH |
COMMENTS |
| 73A |
MEDIUM |
DEEP |
This model produces a huge sound in low and middle registers. Excellent for symphonic
band. Strong embouchure required. |
| 73B |
MEDIUM |
MEDIUM |
A very good mouthpiece for 1st and 2nd chairs in symphonic band.
Big, beautiful sound and brilliance with full control in all registers. Truly a
masterpiece! |
The "71" Series
| MODEL |
CUP SIZE |
CUP DEPTH |
COMMENTS |
| 71A |
SMALL |
DEEP |
Big volume of tone in all registers. You will find it easy in high registers because
of its small cup diameter. Good control for all-around strenuous playing. |
| 71B |
SMALL |
MEDIUM |
This model will give you plenty of brilliance with ease. CHOPS WILL NOT TIRE AS
QUICKLY ON THIS MODEL! |
The "99" Series
| MODEL |
CUP SIZE |
CUP DEPTH |
COMMENTS |
| 99A |
LARGE |
DEEP |
A fine model for players in concert bands, and symphony orchestras. It will produce a
big volume of tone. Those with strong embouchures and thicker lips prefer this model. |
| 99B |
LARGE |
MEDIUM |
This model produces full, clear and brilliant sound. Also good for baritone horn in
symphony and concert band. Strong and thicker lips required. |
The "96" Series
| MODEL |
CUP SIZE |
CUP DEPTH |
COMMENTS |
| 96A |
MEDIUM |
DEEP |
This model has been popular for symphony, band and soloists. It produces a rich,
brilliant tone. Big volume is always a must for band and symphony. |
| 96B |
MEDIUM |
MEDIUM |
Students and professionals throughout the world consider the 96B the "Center of
Sound," and the perfect all-around mouthpiece. An absolute gem! |
The "93" Series
| MODEL |
CUP SIZE |
CUP DEPTH |
COMMENTS |
| 93A |
SMALL |
DEEP |
Performers who seek a rich and full, yet brilliant sound have chosen model. |
| 93B |
SMALL |
MEDIUM |
For extreme high register with brilliance. Players with thinner lips prefer this model
for its rich, beautiful tone and ease in the upper register. |
| MODEL |
CUP SIZE |
CUP DEPTH |
COMMENTS |
| 1.06A |
LARGE |
DEEP |
Players with thick lips will produce a tremendous volume of sound. Very good for heavy
music; Wagnerian opera, etc. This mouthpiece will fill all of your needs. |
| 1.03A |
MEDIUM |
DEEP |
This is a popular model for professionals who have medium-thick lips. It produces a
very big sound. When you play loudly, you will feel the bell of your horn vibrate with a
beautiful, brilliant sound. |
| 1.00A |
SMALL |
DEEP |
Tenor trombonists who double on bass trombone will have excellent results with the
1.00A. A true bass trombone player with medium-thick lips will enjoy the rich, beautiful
sound and flexibility that this model can produce. |
| MODEL |
CUP SIZE |
CUP DEPTH |
COMMENTS |
| 1.30A |
LARGE |
DEEP |
This model was developed to produce a full and rich, round tone in low and high
registers. Excellent for BBb in large orchestras and concert bands. Strong
embouchure needed. |
| 1.25A |
MEDIUM |
DEEP |
Also for the BBb tuba. Beautiful tone and tremendous volume in all
registers. Especially good for heavy music (Wagner, etc.), shows, and concert bands. |
| 1.20A |
SMALL |
DEEP |
This model can be used for BBb, but is more suitable for Eb
tuba. This mouthpiece is known for its flexibility and brilliance. A big help in high
registers, while comfortable for all-around playing. |
The 86D model is only for trumpet and cornet players who wish to double
on trombone. It is also good for young students. All internal dimensions are reduced to
form a well-balanced mouthpiece that will produce brilliance, flexibility, and a
beautiful, true trombone sound. This mouthpiece has been accepted worldwide by many great
artists.
This innovative mouthpiece is for players who prefer a darker tone than
the Zottola standard shape. However, when volume is increased, brilliance, projection and
a beautiful big sound will be obtained. It is available in all trumpet models. Because of
this unique design, many "Heavy Hitters" who want to soar over the band, prefer
this model.